Martin Fishing Reel
Here’s a fun box. I like the colors and the simplicity of it.
Designer Unknown. Year Unknown.
Archived entries for Graphic Design
Europe is $52 Away!
Vintage KLM Royal Dutch Airlines Pamphlet. Designer Unknown. I like the colors, very 60’s. Reminds me of Alexander Girard’s color schemes. Love the use of Eurostile and the cut out faces. Looks 500 times better in person.
More images after the jump…
Joseph Low on the Haydn 5 of many
This is one of my favorites from his covers for the Haydn Society. They are three volumes on an anthology with some of the Haydn artists including Finn Viderø, Aksel Schiøtz, Else Brems, Niels Brincker, etc.
The drawings are very ornamental yet geometric and again textured. A lot of fun details on this illustrations contrasted with some bright colors. Another wonderful two color design.
More images after the jump…
Low – Gods, Graves & Scholars
Another design by Joseph Low. I couldn’t skip this one again. The photo does not do it justice. Like the Haydn Society records I have, this book is best viewed in person. The quality of the printing, the mix of overprinting colors, etc. made this 3 color book scream to me from the shelve.
Alvin Lustig Bach Vivaldi
Here’s another Haydn Society record from my all time favorite, Alvin Lustig. This cover is very simple yet very different from the others. The circles make it look very modern and minimal while at the same time it helps reiterate the two composers distinction by changing its color.
Hope you all enjoy this as much as I do and stay tuned for more…
Norman S. Ives Typographic Bach
I’ve been holding this one up for quite a bit as my blog was turning into an LP archive but after switching up a bit here it is:
For those who don’t know. Norman Ives was a graphic designer former student of Josef Albers at the Yale University where he also began teaching afterwards.
During the mid-to-late 1950s he worked with Herbert Matter on numerous design projects, including work for the New Haven Railroad, and Knoll International.
He is mostly known for his collages, wall reliefs and silkscreen prints.
This cover here features his love for letterforms. This was probably some of his earlier work since it was produced in 1955 and he received his MFA degree in 1952. In any case this is merely one of the coolest record covers I have.
The Paper is off white and the letters are overprinted in a cool gray color and white ink which looks very nice against the paper. The letters aren’t perfectly shaped. If you get close they appear to have been drawn by hand almost like paper cut out. The only straight lines are on the letter A and H. Lots of white space. A great modern typographic approach to a classical record.
About Norman S. Ives:
Bio on Francisfrost
AIGA Constructions and Reconstructions Exhibit
Bio on Ewardcella
Product Info:
Haydn Society Album Covers, 1955
Copyright 1955 by the Haydn Society, Inc.
Boston Massachusetts
Cover Design by Norman S. Ives